| Los 
        guajes or "Rattles" Opening sequence: Standard. 
         
          |   | Dance pattern: 
            The abuelo calls for "¡Guajes!" and the danzantes 
            in the left line turn to face the back. One line now facing forward, 
            the other back, the pairs opposite each other join right hands with 
            their guajes held aloft. This forms a succession of arches.The 
            lead dancer of the left line, however, hasnt turned or joined 
            guajes with his opposite. The monarca dances up to him and joins right 
            hands, guajes aloft, in an arch. The malinche is to the monarcas 
            right, so that as the monarca and danzante circle clockwise, she dances 
            under the arch their arms make. Monarca and malinche then turn from 
            the first dancer in the left line to circle with the first dancer 
            in the right. They continue in this manner up the line, from couple 
            to couple, left dancer to right. Each couple breaks the guaje-arch 
            theyve formed when monarca and malinche approach. They reestablish 
            it after theyve finished dancing with monarca and malinche. |  
         
          | The ground 
            pattern of los guajes is similar to that of la ese excepts that here 
            the monarca approaches each man in the left line from in front and 
            each man in the right line from behind (Figure 23). By staying 
            to the monarcas right as he approaches each dancer, the malinche 
            is always in the correct position to pass under the arch. The abuelo 
            follows monarca and malinche up the lines. |   |  
 When each man has danced, and 
        monarca and malinche are at the back, the abuelo calls for turns, and 
        the pattern is repeated in reverse order, the right line now facing backward, 
        the left forward. Now the men raise their left hands, holding their palmas 
        aloft. This time the monarca approaches each man in the right line from 
        in front and each man in the left line from behind. The malinche stays 
        at the monarcas left to be in a position to dance beneath the arch. 
        After each danzante has had his turn, he moves back into line rather than 
        remaking the arch with the dancer opposite him. Closing sequence: Standard. |