| La 
        entretejira or "The Weaving Dance" Opening sequence: Standard. Dance pattern: 
         
          |   | Section 
              1: After calling for turns, the abuelo calls for filing out. 
              This time, however, only the right line reaches the back of the 
              hall, while the left line moves forward, turns out, but stops before 
              filing back. In this way, the two lines are left facing each other 
              from opposite diagonal corners (Figure 26). The monarca, 
              this time with one malinche on each side of him, acts as the last 
              man in the right line.  |  The "weaving" now 
        begins. The lead men, facing each other, zigzag first to the right and 
        then to the left, thus approaching each other while moving across in front 
        of each other (Figure 27). They begin the zigzag right again, but 
        this time, they cross by each other. On the zigzag left, they cross behind 
        each other and in front of the next man in line. At the start of this 
        second zigzag, the second men in line take up the zigzag pattern. Thus 
        the second man zigzags behind the first man of the opposite line and in 
        front of the second (Figure 28). Each pair of men joins in similarly 
        until a weaving pattern is established. When a dancer has woven through 
        the entire opposite line, he makes a final zigzag right, then turns and 
        waits instead of completing the zigzag left. He is then in a position, 
        and in beat, for returning in the other direction. Transition: The right 
        line ends the pattern in its original place and so the men simply dance 
        in place. The men in the left line, who end at the back of the hall, walk, 
        in pedestrian movement, back to their original places. The abuelo calls 
        for turns. As in the standard opening procession, the two lines cast off, 
        walking rather than dancing, to the back, then turn inward and dance down 
        the center, picking up monarca and the two malinches on the way. Abuelo 
        calls for turns again. 
         
          |  
              Section 2: The 
                monarca, with one malinche on each side of him, leads the right 
                line of dancers around the first man in the left line. The threesome 
                then snake in and out between the men, leading the right line 
                between all the dancers in the left line (Figure 29). 
               To return, when the 
                threesome have completed their snaking up the line, they simply 
                veer right and continue dancing straight down the right side of 
                the hall, leading the left line behind them into their original 
                positions. Abuelo calls for turns.  |   |  The snaking pattern is repeated 
        to the opposite side, the monarca leading the left line through the right. 
        This time, when the pattern is complete and the threesome veer left at 
        the back of the hall to return the left line to its original position, 
        the right line backs up. The two lines meet, as their leaders are about 
        halfway down the hall. Flanking the monarca and two malinches, they dance 
        forward together. Closing sequence: 
        Abuelo calls for turns. The dance ends with the usual three backward 
        and forward steps and bow. |